Adrian Selby

I’m reflecting on the aftermath of a UK election result that I, personally, found disappointing. As with the Trump result a few years ago, there’s a fair amount of soul-searching and blame-pinning on the left. In games we call it a ‘post-mortem’ and it’s a reflection on what went wrong and what needs to change, […]

These two books, one old, one new, continue my lucky streak of ‘boundaried alien geography on earth’ novels that started with the amazing Southern Reach trilogy and continued with Tade Thompson’s award-winning Rosewater.

With the third book’s first draft completed and no more deadlines at this point in time, I’ve begun recharging after years of frantic scribbling. The first book I chose to read after coming up for air is a book I wish I’d read before starting writing at all.

I’ve been busy finishing my third novel. While I was wrestling with it over the last few months I managed to read a few books I’m now ready to recommend.

“In Paradise there are no stories, because there are no journeys. It’s loss and regret and misery and yearning that drive the story forward, along its twisted road.”

1930’s rural England seen through the eyes of a troubled young girl coming of age and a high-octane rollercoaster fantasy set in a bleak, violent and ancient city were my January reads.

I needed to step away from sff reading at least briefly, mix it up. I got a blast of something beautiful.

The Green Man figure from the folklore of numerous cultures and religions manifests in these two glorious novels as a righteous and very english force; a saviour of tradition, a keeper of continuity.

As saddened by the whole Hugo ‘puppy’ bullshit as any right-thinking person would be, it did introduce me to The Fifth Season, so thank you for that guys.

I love Jeff Vandermeer’s work because I love HP Lovecraft’s work. But I enjoy Vandermeer more. Horror describes the ways in which people strive to escape the painful and grisly annihilation of the self. It can be personal or impersonal, understandable or insensate. It can also describe our confrontation with the unfathomable.

I’m reading a bit of sci-fi at the moment as I’m woefully under-read in the genre. How lovely to have these two line up back to back.

Dark Tales, by Shirley Jackson, is a hugely effective collection of short gothic horror stories written in the fifties and sixties. She died in ’65. I confess, like many I’ve spoken to about this book, not to have heard of her until a recent review of this collection, many of which were originally published in The […]

“But preserve your mistrust of the page, for a book is a fortress, a place of weeping, the key to a desert, a river that has no bridge, a garden of spears.”  Sofia Samatar I’ve long been fascinated by virtuosi and recently I’ve read two almost without equal.

I do almost all my reading on the bus. Thus, my go-to indicator of a great read is how surprised I am that I’ve reached my destination.

“I was brilliant. Not just your run-of-the-mill brilliance either. I was extraordinarily brilliant.”

In the last few weeks I’ve read two great books; both are clever and both feature a strong central trio of characters.

Kazuo Ishiguro’s The Buried Giant bolsters the list of fantasy genre writing that pushes its boundaries and should invigorate the genre’s authors and fans.

Brian Catling’s The Vorrh is a very beautifully written book, with the most unforgettable first chapter I’ve read in years.

Where do I begin? While this is not my favourite book, it is the best novel I’ve read. Pynchon, for me, is the most accomplished writer in English alive. Here is my impossible benchmark.

If the awards and critical acclaim have not steered you towards the fractious company of the two foremost English magicians of the nineteenth century, then it is unlikely my meagre addition to the chorus will tip the balance. Nevertheless, I exhort you to go get this enchanting novel.